French mezzo-soprano Gaëlle Arquez debuts at Dutch National Opera in the role of Juditha. Judith, junge Witwe aus Bethulia, … Larghetto, Juditha Triumphans, RV 644, pars prior: Chœur … The number of ripieno string players varied with circumstances. Juditha triumphans wurde im November 1716 in Venedig komponiert und vom Orchester und Chor des Ospedale della Pietà uraufgeführt. 3, No. Schulenburg recruited several tens of thousands of troops. It was commissioned to celebrate a victory of Venice over the Turks. 1:03 Listen Now $0.99 In MP3 cart View MP3 Cart 2. Vivaldi provides “shooting star” figures in the string section. ‎Preview, buy, and download songs from the album Vivaldi: Sacred Music, Vol. Stream ad-free or purchase CD's and MP3s now on Amazon.co.uk. Their leader Holofernes is an adversary Judith vanquishes by seduction. This page intentionally left blank Choral Repertoire. Jacopo Cassetti Venezia, 1716 Modo Antiquo Strumenti Originali / Historical Instruments Barbara Di Castri, Juditha Lucia Sciannimanico, Holofernes Nicki Kennedy, Vagaus Alessandra Rossi, Abra Rowena Anketell, Ozias Coro da Camera Italiano 4 – Juditha Triumphans, including "Juditha Triumphans devicta Holofernes barbarie, RV 644: Overture. Écoutez Vidaldi: Juditha Triumphans, RV 644 par Jordi Savall sur Deezer. In the summer season, Alexandra was seen performing Dinah in Trouble in Tahiti with Staatsoper Stuttgart as a … 2015 Triumph Juditha – das ist die jüdische Witwe, welche sich zum Schein mit dem assyrischen General Holofernes einlässt und dadurch versucht, die Eroberung ihrer Stadt Bethulien durch die Assyrer abzuwenden. The edition has subsequently been revised and corrected for use by Philharmonia Baroque (2014). They move Holofernes enough for him to take Judith’s bait, as he sings lovingly in “Sede, o cara” (“Come sit, my beloved”). Holofernes, the general of the Assyrian King Nebuchadnezzar, prepares the army for the storming of the city of Bethulia. 1692), Barbara, and Giulia. He therefore wrote it for an all-female cast, giving the roles of the Assyrian general and the high priest of Bethulia to contralto soloists. Juditha is the only oratorio by Vivaldi that survives, but written evidence documents a long history for the genre in Venice's four orphanage-conservatories (ospedali). Movement 1. Upon their arrival they were required to spend a month in quarantine, from which they emerged at staggered points throughout December. Holofernes is sure of victory and inspires courage in his soldiers. Juditha triumphans devicta Holofernis barbarie (wörtlich: „Die über die Barbarei des Holofernes triumphierende Judith“, RV 644) ist ein Oratorium von Antonio Vivaldi, das einzig erhaltene von den vier Oratorien, die er komponierte.Das Libretto stammt von Iacopo Cassetti und behandelt das Thema des biblischen Buch Judith. Die in Wales geborene Altistin Hilary Summers hat einen herausragenden Namen als Barockinterpretin. Viola d’amore (version at sounding pitch; version in written pitch with scordatura. Watch Visser discuss his production in this interview. Recitatiu (Ozias): Quam insolita luce Ària (Ozias): Gaude felix Bethulia lætare 27. Juditha triumphans devicta Holofernes barbarie, RV 644: Pars I. ... OZIAS Renae Martin began voice studies at the West Australian Conservatorium of Music and completed a Bachelor of Music degree in 1999 at the University of Western Australia. 3, No. He specified its genre as a "sacred military oratorio." Hyperion: CDA67281/2. Juditha Triumphanswas commissioned by and first performed at the Ospedale della Pietà in Venice in November 1716. The story of Juditha Triumphanscomes from the apocryphal Book of Judith, chronicling the Assyrian siege of the Jewish city of Bethulia. It was the usual practice of the Venetian ospedali to present oratorios on the Sunday afternoons of Advent and Lent (the penitential seasons preceding Christmas and Easter). His imitations of Janissary bands permeate the surface, but at a deeper level most of the woodwinds serve to underscore a fleeting sentiment or turn of events. Allegro", "Juditha Triumphans devicta Holofernes barbarie, RV 644: Overture. Violin 1 (3 above), Violin 2 (4), Viola (5), Violoncello (6). The Venetians concentrated all their naval defenses on the island of Corfù (which they had held since 1396) in 1715 and prepared for a rigorous defense. Oratorios given in the ospedali were sung in Latin, although in most other institutions throughout Italy they were sung in the vernacular language. Ab der Spielzeit 2019/20 ist Alexandra Urquiola Mitglied des Opernstudios der Staatsoper Stuttgart. Woodwinds: Genaux could do the same, all the while convincing you that … View credits, reviews, tracks and shop for the 1995 CD release of Juditha Triumphans, Oratorio on Discogs. A.VIVALDI "JUDITHA TRIUMPHANS" Judita - Rita Novikaitė (mecosopranas) Abra - Ingrida Laurinaitienė (sopranas) Holoferno - Julija Stankevičiūtė (mecosopranas) Vagans - Jurgita Žilinskaitė (sopranas) Ozias - Martynas Beinaris (baritonas) VDU MA mišrus choras (vad. 2 treble and 2 alto English viols, with Violone(8 above). His only surviving oratorio, Juditha Triumphans, has until recently been a well-kept secret. Few works by Vivaldi exhibit such a close coupling of political motive, text, and music. It was not, therefore, a work of the same ambitions as Vivaldi's, nor did it have any immediate pertinence to political affairs. The biblical story of Judith overcoming Holofernes and his army (beheading him herself--no shrinking violet she) was popular with both librettists and composers, offering plenty of opportunities for exuberant tub-thumping. These numbers are accompanied by a consort of viols (four viols and a violone). Vagaus sings a lullaby, “Umbrae carae, aurae adoratae” (“Beloved shadows, adored breezes”) in which recorders provide the obbligato, as the sweetness of the moment is savored. Juditha begins and ends with substantial choruses but was not provided with an opening sinfonia. The oboe often signaled death, while the organ had ushered lost souls into the Underworld in Renaissance performances of tragedies. Juditha Triumphans was commissioned by the Pieta in 1716 and performed by the girls as an oratorio. 9, RV 230: II. Ann Murray, Maria Cristina Kiehr, Susan Bickley, Sarah Connolly, Jean Rigby King's Consort, Robert King Check out Juditha triumphans, RV 644: Summi Regis - O Sydera, o stellae (Ozias) by Orchestra della Scuola veneziana, Angelo Ephrikian, Giuliano Ferrein on Amazon Music. The fleet sailed early in February 1716. Christianity prevails, fulfilling the main objective of the work, but sustains its militancy even in victory. Giacomo Cassetti derived the tale from the Apocrypha. Fretted bowed strings: Holofernes observes the darkness and notes that he is surrounded by shadows (“Nox obscura tenebrosa”). You’ll receive red-skinned mashed potatoes, fresh … Vivaldi introduces two chalumeaux to underscore the now subdued Turkish threat. Lara Vilà (ed. The Venetians had lost the island of Crete at the end of the 21-year-long War of Candia (Heraclion) in 1669. ‘Judith triumphant over the barbarians of Holofernes’ is the only survivor of the four oratorios that Vivaldi is known to have composed. Lies über Juditha triumphans Oratorio: Recitativa juditha, holofernes "Tibi dona salutis" von Antonio Vivaldis The Masterworks und sieh dir Coverbilder, Songtexte und ähnliche Künstler an. The Assyrian soldiers’ chorus “O quam vaga” (“How beautiful…”) signals the initiation of a plan of action. Vivaldi's only surviving oratorio, Juditha triumphans (1716), with its strongly characterised roles and luxuriant orchestration, is a true Baroque masterpiece. The beautiful young widow Judith goes to the Assyrian army commander Holofernes to beg for mercy and sways him with her charms. Naive: OP30314. 1650), Polonia (b. Devicta Holofernis Barbarie. Venice, with great help from the Hapsburg Empire, had defended Corfu but in the subsequent Treaty of Passarowitz Venice ceded important territory to Austria. Andrea Marcon has been chief conductor since 2009, and under his direction the orchestra has become one of the leading ensembles in historically informed performance practice. Vivaldi cycles through them as the story unfolds. The Legend of the Invisible City of Kitezh, Juditha Triumphans – 'Veni, veni me sequere fida', Juditha Triumphans – 'Quamvis ferro, et ense gravis', Caravaggio (c.1598-99) Judith Beheading Holofernes [Oil on canvas]. Nach ihrer Rückkehr nach Bethulia begrüßen die Bürger und der Hohepriester Ozias Judith als Heldin. Vivaldi : Juditha Triumphans, RV 644 | Antonio Vivaldi von Jordi Savall – Zum Download und Streaming auf Qobuz.com Listen to Juditha Triumphans by Coro della Radio Svizzera, Diego Fasolis, Duilio Galfetti, Guillemette Laurens, I Barocchisti, Manuela Custer, Roberta Invernizzi, Sara Mingardo & Tiziana Pizzi on Apple Music. Das latainische Libretto stammt von Iacopo Cassetti und greift die bekannte biblische Geschichte von Judith und Holofernes auf. One is aware from the first few notes that this is a staunchly militaristic work: the trumpets greet us almost brazenly, the chorus reminds us at intervals that this is a work with the purpose, and it all ends as militantly as it began. Any microphones you observe in the Hall are solely for the purposes of recording. The CCARH edition of Juditha triumphans, edited by Frances Bennion, Edmund Correia, Jr., and Eleanor Selfrdige-Field, was drafted in 2008. Recitativo accompagnato (Ozias): Ita decreto æterno 28. Vivaldi originally composed Juditha Triumphans for the girls of the Ospedale della Pietà, an orphanage in Venice internationally renowned for its outstanding music school. (Viols were available through benefactions to the Venetian conservatories.). While the list is long, it should be appreciated that many unusual instruments appear only once or twice. Both were given Padua (1702, 1708). From the album "Vidaldi: Juditha Triumphans, RV 644" by Kristin Mulders on Napster She wants to speak to Holofernes personally, and he agrees to the stranger’s request. Recitativo “Nox in umbra dum surgit” (Holofernes) (2000-10) (track 16) Juditha triumphans devicta Holofernes barbarie, RV 644: Pars II. ‘This oratorio is one of the highlights of the baroque age or even all of musical history,’ says director Floris Visser. Yet Juditha triumphans is full of tender, affective writing. Listen to Vidaldi: Juditha Triumphans, RV 644 by Jordi Savall on Deezer. Juditha triumphans devicta Holofernes barbarie, RV 644: Pars I. All five were born in the seventeenth century, the eldest (Silvia) around 1650, the youngest (Polonia) in 1692. 5 Dinge, die man über Juditha Triumphans wissen sollte 1° Kühne Taten. Vivaldi - Juditha Triumphans - Attilio Cremonesi (2008) David Walker, Sally - Anne Russell, Sara Macliver, Fiona Campbell, Orchestra Of The Antipodes, Renae Martin, Cantillation Chorus - Vivaldi - Juditha Triumphans - Attilio Cremonesi Like Handel’s Roman oratorio‚ La Resurrezione (1708)‚ Vivaldi’s Venetian Juditha was designed to impress its audiences. Judith sang only twice. Vagaus summons his Assyrian troops in the aria “O servi volate” (“O servants, be quick”). At the dinner, Holofernes toasts Judith's beauty while she tries to keep him at bay. Juditha triumphans 1716. Basel: Theater Basel – Grosse Bühne – Ballett Basel „Juditha Triumphans“ - Vorstellung vom 04.05. At the Victoires de la Musique 2011 Arquez was extolled as a ‘Révélation Lyrique’ and in 2017 she released her debut solo album, Ardente Flamme, on the Deutsche Grammophon label. She first lures him to her tent, then withstands his advances long enough to ply him with drink (early in Part Two of the oratorio), and then beheads him (an event that was the subject of countless depictions in the arts of the time). Recitativo - Ozias - Summi Regis In Mente. Casetti's text can be read either as the script for a pep rally or as a symbolic re-enactment of Venetian triumph over Ottoman troops. By turns we find Holofernes, the Ottoman aggressor, to be angry, seductive, drunk, and betrayed. Other: Abra is a fictional "nurse" who demurely follows the widowed Bethulian queen Judith on her murderous mission. Juditha Triumphans. Choral Repertoire. Juditha triumphans devicta Holofernis barbarie (Judith triumphiert über die Barbaren von Holofernes), RV 644, ist ein Oratorium von Antonio Vivaldi, dem einzigen Überlebenden der vier, von denen bekannt ist, dass er sie komponiert hat.Obwohl der Rest des Oratoriums vollständig erhalten bleibt, ist die Ouvertüre verloren gegangen. With her village under siege, a daring widow implores the invading general for mercy. After beheading Holofernes, Judith is able to declare Peace (“Vivat in pace, et pax regnet sincera”) in the little-used key of E Major. The viols and plucked instruments are similarly likely to have been played by those who normally covered the string orchestra parts. Stream songs including "Coro - Chorus Militum - Arma, Caedes, Vindictae, Furores", "Recitativo – Holofernes - Felix en Fausta Dies" and more. Jacopo Cassetti Venezia, 1716 Modo Antiquo Strumenti Originali / Historical Instruments Barbara Di Castri, Juditha Lucia Sciannimanico, Holofernes Nicki Kennedy, Vagaus Alessandra Rossi, Abra Rowena Anketell, Ozias Coro da Camera Italiano In the architecture of the whole, instrumental color plays a significant role in delineating changes of mood and also in symbolizing diverse universal conceptions--the passage of time (theorboes), fidelity (the oboe), rusticity (the recorder), and so forth. The crews drifted back to the lagoon in November. Before the performance, enjoy a special dinner buffet service at Intermezzo cafe. Recitatiu (Ozias): Summi Regis in mente ... estrenat a l’Ospedale della Pietà titulat Juditha triumphans devicta Holofernis barbarie: una veritable obra mestra del Barroc i una peça de l’agenda política de la República, magníficament dissenyada per impressionar l’auditori. Vagaus, the general’s squire, announces the arrival of a beautiful woman from Bethulia. The seriousness of its intention was reinforced through its dedication to Johann Matthias (1661-1747), count of Schulenburg, the marshal of the forces designated to defend Corfù, the Republic's last stronghold of its diminishing maritime empire. While in its reliance on core strings (violins, violas, cellos) Juditha triumphans is straightfoward in its instrumental requirements, the obbligati extend to unusual bowed strings (viola d'amore), plucked strings (mandolin, four theorboes), and woodwinds. Magdalena Kozena, mezzo-soprano, Juditha Maria José Trullu, contralto, Holofernes Marina Comparato, soprano, Vagaus Anke Herrman, mezzo-soprano, Abra Tiziana Carraro, mezzo-soprano, Ozias Academia Montis Regalis Chamber Choir of the National Academy of Santa Cecilia. She and Abra, her handmaiden, place the head in a bag and flee from the Assyrian camp. Magdalena Kozena (Juditha), Marina Comparato (Vagaus), Maria Jose Trullu (Holofernes), Anike Herrmann (Abra), Tiziana Carraro (Ozias) Academia Montis Regalis, Alessandro de Marchi Among oratorios survived only by anonymous texts, a shorter, simpler La Giuditta was given in 1713 at the no longer extant church of San Leonardo, Padua, in 1713 under the auspices of Laura d'Este, a member of the congregation of the Santissima Annonziata. Courage Largo", "Juditha Triumphans devicta Holofernes barbarie, RV 644: Part 1 No 01. La Cetra Barockorchester was founded in 1999 by Peter Reidemeister, then director of the Schola Cantorum Basiliensis. 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Stream ad-free or purchase CD 's and MP3s now on Amazon.co.uk text, and betrayed fictional nurse... ’ Auditori I la Fundació Centre Internacional de Música Antiga Vivaldi: Sacred,! An opening sinfonia influence of the highlights of the Jewish city of Bethulia 's figlie di who... To be angry, seductive, drunk, and download songs from the Assyrian of!
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